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< -- Review of The Crowded Train -- > No matter, the little beach scene that could plugs on, and The Crowded Train is yet another prolific product of the overflowing pool of talent in O.B.. At the core is Chad Farran, drummer and DAT-geek extraordinaire from local power trio Superunloader. Farran, along with Superunloader bassist Chris McGreal and a host of friends -- Tim Pacecho (Psydecar), Unorthodox Hunter (LAC), Davey Carano (Plump) and Eric Garcia, just to name a few -- mix it up as much as possible here. The problem with this admirable attempt at eclecticism is, however, that the album never really gels into anything cohesive. Instead, it's pseudo-rasta meanderings at the start give way to idiosyncratic explorations towards the end, and no real musical voice ever asserts itself in the process. Maybe that's sorta the point, here, but it's too bad for the listener, since Farran's quirky songwriting has always provided a welcomed relief from the talented but heavy-handed pretentiousness of his first-team songwriting partner in Superunloader, Jimmy Lewis. Here, the only relief is provided by an instrumental, electro-dub track titled "The Prophet." The Prophet-600 is a 6-voice polyphonic analog synthesizer with a 5-octave, 61-note keyboard, and somehow, despite all the guest musicians on The Crowded Train, Farran's composition using just this instrument is the spunkiest on the disc. -- Will K. Shilling
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